By Brady Betzel
- Telestream Episode Pro 6.5 For Mac Free
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Over the last few years, transcoding has been a hot topic of discussion. With the line between offline and online editing becoming more blurred than ever, it’s crucial to implement a proper workflow that will erase any bottlenecks in production and post production from the very beginning.
Broadcast audio -12db with MAC ver. Of Episode pro 6.4 Hi there, We currently use Episode Pro ver 6.4.4 for our channel broadcasting on a MAC. (currently we are trying to upgrade to 7.0 soon) Our content that we receive for broadcasting varies from. Telestream Episode 6 is the worlds best video encoder software available for Mac OS. Alright let me highlight some important features of Episode before giving you the link to purchase Episode. It will be helpful for you to decide and go ahead with purchasing the best software for your video encoding works. At the 2015 NAB Show, Telestream will demo support for new formats, closed captions, multibit-rate encoding, and multitrack audio in Episode 6.5, the latest version of its multiformat video encoding software.
Whether you are ingesting 1080p footage from a DSLR or 6K from a Red Dragon, it’s critical that all transcoding is fast, invisible (at least as invisible as possible) and able to run across multiple systems if you have them.
When I was an assistant editor I remember months of 24 hour-a-day transcoding. Typically, it was because of GoPro footage. Don’t get me wrong, I love GoPro from a size and usability standpoint, but when getting that footage prepped for offline and online editing it takes a huge chunk of time to transcode (not to mention checking for errors). Depending on the choice of the director of post or post supervisor, typically we would pick a “mezzanine” codec to transcode the footage to. A mezzanine codec is one that is high enough quality for your master outputs but also workable within your NLE to not cause hiccups. Apple’s ProRes, Avid’ DNxHD and DNxHR, as well as Cineform’s codecs are all considered mezzanine. Codecs such as H.264 or AVCHD are not easy on a processor and are typically converted to the mezzanine format of choice if you want to work efficiently.
Now that I’m an online editor and on the other side of the fence, so to speak, I see just how important it is for assistant editors to transcode to a proper codec while maintaining viability in the offline edit, as well as keeping image integrity for the online process.
So what I’m really getting to is, what program will allow the fastest transcode time while offering the highest image quality for “dailies” and even outputting masters and sometimes with multi-channel audio? That’s a very loaded question, but hopefully I can give some testing results that will give guidance in your decision.
Episode Pro 6.5
There are many different programs that are stand alone transcoding solutions — Adobe’s Media Encoder, Apple’s Compressor, Divergent Media’s EditReady, Sorenson’s Squeeze, MPEG Streamclip. It’s also offered via the NLEs themselves, and color correction apps like Blackmagic’s DaVinci Resolve 12. However, in this review I am just focusing on Telestream’s Episode Pro 6.5.
There are many different programs that are stand alone transcoding solutions — Adobe’s Media Encoder, Apple’s Compressor, Divergent Media’s EditReady, Sorenson’s Squeeze, MPEG Streamclip. It’s also offered via the NLEs themselves, and color correction apps like Blackmagic’s DaVinci Resolve 12. However, in this review I am just focusing on Telestream’s Episode Pro 6.5.
Some of the latest features in Episode 6.5 are Closed Caption support; updated codec support including HEVC, XAVC, VP9, and MXF AS-11; multi-bitrate streaming support, which includes MPEG-DASH; improved multitrack audio support and reassignment; and image sequence support. While I won’t be running through all the new features, be sure they are all very big additions.
Immediately when opening Episode Pro 6.5 I noticed how cleanly my options were presented. There are four main categories: Workflows, Sources, Encoders and Deployments. I then had to activate Episode Pro 6.5, which didn’t go as smoothly as I had hoped, but I will get to that later. You can use Episode’s preset workflows or create your own; it’s dead simple.
Up to the Test
To run a few test I used an older MacBook Pro laptop (2.4 Intel Core Duo, 4GB of DDR3, Nvidia GeForce 9400M 256MB and SSD boot drive). It’s slow compared to today’s barn-burner mobile workstations, but it is something that could be used in a production that wants to set a standalone transcode station up without purchasing new equipment. Plus, I can run comparisons with a few different transcoders.
To run a few test I used an older MacBook Pro laptop (2.4 Intel Core Duo, 4GB of DDR3, Nvidia GeForce 9400M 256MB and SSD boot drive). It’s slow compared to today’s barn-burner mobile workstations, but it is something that could be used in a production that wants to set a standalone transcode station up without purchasing new equipment. Plus, I can run comparisons with a few different transcoders.
I used two QuickTimes that I created to run a few speed tests. The first is a one-minute H.264 QuickTime from a GoPro Hero 3+ Black Edition and the other is a 20-second ProRes QuickTime from a Blackmagic Pocket Cinema Camera, both are 1920×1080 running at 23.976fps.
My first test was to transcode the one-minute long, 356.7MB, GoPro QuickTime into ProRes using a few different encoders to get a sense of speed and file size, here are the results:
Episode Pro 6.5: three minutes and 11 seconds: 878.3MB
Adobe Media Encoder CC 2015: two minutes, 13 seconds: 868.7 MB
EditReady 1.3.4 — 57 seconds: 901MB
Adobe Media Encoder CC 2015: two minutes, 13 seconds: 868.7 MB
EditReady 1.3.4 — 57 seconds: 901MB
The second test was to transcode the 20-second 131MB, Blackmagic camera ProRes QuickTime to ProRes:
Episode Pro 6.5: 33 seconds: 133.7MB
Adobe Media Encoder CC 2015: 1 second: 131.2MB
EditReady 1.3.4 — 10 seconds: 135.9MB
Episode Pro 6.5: 33 seconds: 133.7MB
Adobe Media Encoder CC 2015: 1 second: 131.2MB
EditReady 1.3.4 — 10 seconds: 135.9MB
The third test was to transcode the same: the 20-second, 131MB, Cinema Camera ProRes QuickTime to DNxHD 175, 8-bit:
Episode Pro 6.5 — 52 seconds: 192.9 MB
Adobe Media Encoder CC 2015 — 30 seconds: 194.4MB
EditReady 1.3.4. — 29 seconds: 195.3MB
Episode Pro 6.5 — 52 seconds: 192.9 MB
Adobe Media Encoder CC 2015 — 30 seconds: 194.4MB
EditReady 1.3.4. — 29 seconds: 195.3MB
Remember that while I do mention products like EditReady for transcoding, EditReady is limited in features when compared to Episode Pro, which is a fully featured encoding and transcoding solution — literally one transcoding tool that will do everything you need, including prep and upload your file to YouTube.
So what do I really think about those speeds? When transcoding a single file it really isn’t the fastest app out there. However, when needing to run two or more jobs at once using a fast computer like an HP z840 with 128GB of RAM and an Nvidia Quadro m6000, you will probably make up that time. In addition if you enable a Cluster with all of your Epsiode installed systems you will probably cut your time down tremendously (keep in mind you need a fully paid Episode license on each cluster system for this to work).
A Cluster is basically a workgroup of computers that can be used to run jobs simultaneously via IP connection. Clusters are relatively easy to set up, although I would suggest running it by your IT department first if you work in a proper workplace.
A Cluster is basically a workgroup of computers that can be used to run jobs simultaneously via IP connection. Clusters are relatively easy to set up, although I would suggest running it by your IT department first if you work in a proper workplace.
If you happen to have a few spare computers lying around your house, you can set up a Cluster and let Episode do the rest. This will allow up to two simultaneous jobs to be performed in parallel with an Episode Pro license and unlimited parallel jobs with Episode Engine (costing a little under $6K).
Another perk to the Episode Engine version is Split and Stitch, which allows one file to literally be split among many “nodes” of your encoding/transcoding Cluster, rendered and then stitched back together at the end. If you have a severe time crunch or just like to be the fastest encoder on the block you could save yourself tons of time with this feature.
Closed Caption Insertion
What really got me pumped about testing Episode 6.5 was the closed caption insertion feature. If you’ve ever seen the bill for closed caption insertion you know that it might be worthwhile to check this feature out. When I first started out, I figured I would be able to encode a ProRes HQ QuicktTme with a caption file and be on my way, sweet! Unfortunately it’s not that easy, Episode 6.5 can handle captioning files (.scc or .mcc) but can only insert or pass through into MXF, MPEG-2 and H.264 wrappers. You will need to purchase one of Telestream’s other products — MacCaption (for Mac) or CaptionMaker (for Windows) — in order to insert your captions into any sort of mastering format or Avid AAF (a sweet feature I just learned about is MacCaption or CaptionMaker can create an Avid compatible AAF that will allow you to place closed captioning on a data track within Media Composer for output). Cool new feature if it fits your workflow.
What really got me pumped about testing Episode 6.5 was the closed caption insertion feature. If you’ve ever seen the bill for closed caption insertion you know that it might be worthwhile to check this feature out. When I first started out, I figured I would be able to encode a ProRes HQ QuicktTme with a caption file and be on my way, sweet! Unfortunately it’s not that easy, Episode 6.5 can handle captioning files (.scc or .mcc) but can only insert or pass through into MXF, MPEG-2 and H.264 wrappers. You will need to purchase one of Telestream’s other products — MacCaption (for Mac) or CaptionMaker (for Windows) — in order to insert your captions into any sort of mastering format or Avid AAF (a sweet feature I just learned about is MacCaption or CaptionMaker can create an Avid compatible AAF that will allow you to place closed captioning on a data track within Media Composer for output). Cool new feature if it fits your workflow.
Final Thoughts
I wanted to touch on the differences in the versions. There are technically three versions of Episode: Episode ($594), Episode Pro ($1,194) and Episode Engine ($5,994). To me, besides the price differences, the real differentiating factors are the amounts of parallel encoding and higher end format support. Episode Pro and Engine allow for formats such as MXF, MPEG DASH, as well as image sequences. Episode Pro allows for two parallel jobs while Engine allows for unlimited, the standard version allows for one job at a time.
I wanted to touch on the differences in the versions. There are technically three versions of Episode: Episode ($594), Episode Pro ($1,194) and Episode Engine ($5,994). To me, besides the price differences, the real differentiating factors are the amounts of parallel encoding and higher end format support. Episode Pro and Engine allow for formats such as MXF, MPEG DASH, as well as image sequences. Episode Pro allows for two parallel jobs while Engine allows for unlimited, the standard version allows for one job at a time.
If you are a person who has an encoding farm at the ready or a post house who needs to run two or more encodes/transcodes in parallel, Episode Pro or Engine is for you. While my tests showed Episode running a little slow in a single system, one file job — in the right cluster based environment with multiple threads and multiple cluster nodes you could easily cut the transcode time in half. Telestream has put a ton of work into Episode with its depth of technical tweaks you can make to your resulting encodes. On the other side it’s super easy to jump in and add a preset transcode setting to your workflow, there is little knowledge needed.
Brady Betzel is an online editor at Margarita Mix in Hollywood. Previously, he was editing The Real World at Bunim Murray Productions. You can email Brady at [email protected], and follow him on Twitter, @allbetzroff.
Scheduled for release later in Q2 2015, version 6.5 will feature support for closed captions, new formats, multi-bitrate encoding, and multi-track audio
Telestream®, the leading provider of digital video tools and workflow solutions today announced that it will unveil the latest version of its multiformat video encoding software Episode 6.5 at NAB 2015 on booth SL3305. Scheduled for release later in Q2 2015, version 6.5 will feature support for closed captions, new formats, multi-bitrate encoding, and multi-track audio.
Preserving the integrity of original content while transferring it between incompatible systems is a constant challenge for post-production professionals. Designed for the entire production workflow, Episode has the quality, filters, formats, and power to handle the entire process from camera to edit and all the way to final delivery. Episode produces “true to the original” results for simple transcoding jobs as well as for more complex encoding jobs such as standards conversion.
“With Episode 6.5, we concentrated on closed captioning support as well as adding the newer formats such as HEVC, VP9, and AS-11,” said Barbara DeHart, Vice President of Desktop Business at Telestream. “Our continued goal is to give customers remarkable output quality in the most flexible and streamlined way possible. With versions starting just under $600, Episode is accessible anyone who is serious about video production”
New features in Episode 6.5 include:
Closed caption support
Episode 6.5 enables caption insertion with encoding and pass-through options, and supports CEA-608 and CEA-708 captioning standards as well as MCC and SCC caption formats. With federal regulations mandating captioning, this will enable postproduction workflows to handle embedded captions easily.
Support for virtually any video and audio file format
Episode supports the widest range of formats in its class, allowing users to repurpose media for websites, mobile devices, television, archive, disk authoring and more. With version 6.5, Episode adds support for formats including HEVC, XAVC, VP9, and MXF AS-11.
Telestream Episode Pro 6.5 For Mac Free
Multi-bitrate streaming support
Multi-bitrate streaming improves a viewer’s experience by letting users deliver videos in the resolution and bit rate that best matches viewers’ connection speeds. With version 6.5, users will be able to easily encode and create packages for Apple HLS (HTTP Live Streaming), Microsoft Smooth Streaming, and MPEG-DASH with a click of a button.
Support for multi-track audio
Featuring improved performance and stability, Episode 6.5 adds presets and filters to easily map multi-track audio channels — rearrange audio tracks, change speaker assignments, and change audio formats and sample rates.
Image sequence support
Telestream Episode Pro
Image sequences are now available directly from the Episode UI, which provides an easy way to manage thousands of frames for 3D animation and compositing for visual effects. Users can step through the sequence frame by frame with the highest possible quality. It’s also possible to add multiple files from different sequences for multiple encode tasks.
Available in three versions with incrementally increasing encoding speeds and format flexibility, Episode, Episode Pro, and Episode Engine are all supported on Mac and PC platforms. Xerox colorqube 9201 service manual pdf. Because Episode’s transcode engine is completely multi-threaded, multiple jobs can be processed in parallel, utilizing all available power from modern multi-core workstations. Episode Pro enables two concurrent jobs, while Episode Engine supports an unlimited number of parallel jobs, across multiple machines.
When encoding speed is critical, Split-and-Stitch technology, available in Episode Engine, enables distributed and segmented encoding for any supported format, across multiple clustered Mac or PC workstations. Episode’s built-in file sharing system automatically offloads work from one machine to another without any user assistance. Whether sharing encodes between processing cores on a single workstation or across a cluster of cross-platform machines, Split-and-Stitch enables the fast encoding speeds possible.
More information is available at www.telestream.net.
About Telestream
Telestream Episode Pro 6.5 For Mac 7
Telestream provides world-class live and on-demand digital video tools and workflow solutions that allow consumers and businesses to transform video on the desktop and across the enterprise. Many of the world’s most demanding media and entertainment companies as well as a growing number of users in a broad range of business environments, rely on Telestream products to streamline operations, reach broader audiences and generate more revenue from their media. Telestream products span the entire digital media lifecycle, including video capture and ingest; live and on-demand encoding and transcoding; captioning; playout, delivery, and live streaming; as well as automation and orchestration of the entire workflow. Telestream corporate headquarters are located in Nevada City, California. The company is privately held. For more information, visit www.telestream.net.
Telestream Episode Pro 6.5 For Mac Torrent
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